I am fascinated by repetitive forms found in nature, in patterns that seem to make sense out of chaos. I enjoy the poignancy that exists on the edge of celebration and loss, capturing the nostalgia that occurs when one suddenly experiences something long forgotten.

My installations are most often assembled on-site in response to their surroundings, whether extruded clay forms resembling three-dimensional line drawings or individually sculpted objects that multiply into the thousands. These sculptural drawings develop much like graphite on paper, being built up or “erased” when pieces are added or removed. Each time I install a work, it is different. When it is moved, it is dismantled and when reinstalled, it is reconfigured to respond to its new space. For me, this mutability is a fascinating and important aspect of the work, realizing that it will only exist as it is in the present.